Because if all your tracks are coming into the sub-bus super quiet, youвЂ™re forced to push the aux bus really hard to get some volume. When your route your tracks to a subgroup make sure that the tracks are loud enough. Gain Staging With SendsДЄnd by leaving the faders pretty low it gives the master fader some room to breathe. Route your tracks if you want to change a group of instruments, but use sends if you just want to add parallel processing alongside the original.Д«ut thereвЂ™s more to it than that. You will only be left with more of the same, and any processing you do to the sent track will not affect the original. If you want to send the original somewhere else, to an aux bus like I mentioned before for example, you have to route the outputs of the original to an auxiliary bus.ДonвЂ™t send a signal to a bus if you want to change it completely. What you do to the copy doesnвЂ™t affect the original at all! Now you have the original on the same track, but you also have a copy playing in your aux track. Many engineers donвЂ™t realize that by sending tracks you are still left with the original track. I sent all my tracks to an aux channel, added some EQ and compression and then wondered why my filters werenвЂ™t clearing up the low-end and my compressors werenвЂ™t taming my dynamics?Д«ecause sending isnвЂ™t the same as routing. All the way back when I was just starting to mix, I used to do this really simple mistake.

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